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Image editing and post-production

Colorist

Ismael Vanrell Ramos

Description

My experience spans from on-set data management and security to final post-production, always ensuring the highest integrity of the audiovisual asset. Specialized in building and managing efficient workflows: - Data Management & Dailies: Transcoding, secure backups (RAID & LTO), and dailies processing. - Post-Production: Conforming, VFX Pulls, Color Grading, and Finishing. - Software: Expert command of DaVinci Resolve, Mistika, Daylight, and ColorFront On-Set Dailies. To complement my technical background, I am also a developer: in my spare time, I write custom Python scripts and tools to automate pipeline processes, optimize turnaround times, and eliminate human error.

Description

My experience spans from on-set data management and security to final post-production, always ensuring the highest integrity of the audiovisual asset. Specialized in building and managing efficient workflows: - Data Management & Dailies: Transcoding, secure backups (RAID & LTO), and dailies processing. - Post-Production: Conforming, VFX Pulls, Color Grading, and Finishing. - Software: Expert command of DaVinci Resolve, Mistika, Daylight, and ColorFront On-Set Dailies. To complement my technical background, I am also a developer: in my spare time, I write custom Python scripts and tools to automate pipeline processes, optimize turnaround times, and eliminate human error.

Categories

D.I.T.

Colorist

Featured productions or latest productions

Year
Title
Type
Production company
Role
2024
MACHOS ALFA S3
Fiction series
Contubernio & Netflix
Other image editing and post-production roles
2025
MACHOS ALFA S4 & S5
Fiction series
Contubernio & Netflix
Other image editing and post-production roles
2025
LAGUNA
Fiction feature film
CLACK FILMS
D.I.T.
Post-production coordinator
2026
Chipre: La Isla Dividida
Documentary feature film
NUUK TV Entertainment
Editor
Colorist
2026
Netflix Dailies Lab
Fiction series
Netflix Post-Services
Other image editing and post-production roles
2023
Eudaimonia
Fiction short film
Proyecto Independiente
Colorist
2025
Detrás del Terminal
Proyecto Independiente
D.I.T.
Colorist
Year
2024
Title
MACHOS ALFA S3
Type
Fiction series
Production company
Contubernio & Netflix
Role
Other image editing and post-production roles
Year
2025
Title
MACHOS ALFA S4 & S5
Type
Fiction series
Production company
Contubernio & Netflix
Role
Other image editing and post-production roles
Year
2025
Title
LAGUNA
Type
Fiction feature film
Production company
CLACK FILMS
Role
D.I.T.
Post-production coordinator
Year
2026
Title
Chipre: La Isla Dividida
Type
Documentary feature film
Production company
NUUK TV Entertainment
Role
Editor
Colorist
Year
2026
Title
Netflix Dailies Lab
Type
Fiction series
Production company
Netflix Post-Services
Role
Other image editing and post-production roles
Year
2023
Title
Eudaimonia
Type
Fiction short film
Production company
Proyecto Independiente
Role
Colorist
Year
2025
Title
Detrás del Terminal
Type
Production company
Proyecto Independiente
Role
D.I.T.
Colorist

Description

I am currently studying Audiovisual Post-production in Valencia, Spain. I left China at the age of ten, and since then cinema has become a constant presence in my life — not as an escape, but as a way of seeing. I am attentive to subtle emotions, silences and inner movements, which has led me to a deep attachment to images and their narrative power. I work with animation, visual effects and post-production as forms of visual writing. What drives me is not spectacle, but the quiet construction of meaning: how images breathe, how sound lingers, how editing can reveal what words cannot. My persistence in working with moving images comes from an enduring belief that cinema is a space where inner experience and reality can meet

Description

I am currently studying Audiovisual Post-production in Valencia, Spain. I left China at the age of ten, and since then cinema has become a constant presence in my life — not as an escape, but as a way of seeing. I am attentive to subtle emotions, silences and inner movements, which has led me to a deep attachment to images and their narrative power. I work with animation, visual effects and post-production as forms of visual writing. What drives me is not spectacle, but the quiet construction of meaning: how images breathe, how sound lingers, how editing can reveal what words cannot. My persistence in working with moving images comes from an enduring belief that cinema is a space where inner experience and reality can meet

Categories

Assistant director

Production assistant

Runner

TV director

Director of photography

Camera operator

Drone operator

D.I.T.

Sound editor

Camera assistant

Mixer

Still photography

Other photography and lighting roles

Editor

Editing assistant

Post-production coordinator

Animator

Colorist

Other image editing and post-production roles

Community manager

Marketing and public relations

Photographer

Graphic designer

Art direction

Art assistant

Set assistant

Costume assistant

Make-up and hairdressing assistant